THE BUDDY DEANE SHOW John Waters based The Corny Collins Show on The Buddy Deane Show, a daily Baltimore dance party show that was very popular throughout the late Fifties and early. But most have settled down to a very straight life. The Buddy Deane Show was over. Do you miss show biz? I ask her. On Sept. 13, 1964, he introduced The Beatles before their concert at the Baltimore Civic Center, and a few days later, he and his family moved back to Arkansas. as its newest live-television musical adaptation. [2], https://en.wikipedia.org/w/index.php?title=The_Buddy_Deane_Show&oldid=1101079819. by Pauline Kael praised him. (The rave appeared in The New Yorker, where Kael said it was really Divines movie, calling him W. [1], As with many other local TV shows, little footage of the show is known to have survived. It suggests a way of understanding race that allows viewers to disavow bigotryframed in the story as the belief that white and black Americans should live in separate sphereswithout acknowledging, confronting, or seeking to overturn the actual structures of discrimination. Why? Id wonder. She wasnt even a fan of the show. "The Buddy Deane Show," which aired on WJZ-TV in Baltimore from 1957 until 1964. . Even racists like it, Waters said in his opening remarks. . Evanne and her brother run the John Brock Benson Dance Studios, in Pasadena, and have a line of dancers who appear at clubs all over the state. The racial integration of a take-off of the show, dubbed The Corny Collins Show, provides the backdrop to the 1988 John Waters film Hairspray. Every day after school kids would run home, tune in, and dance with the bedpost or refrigerator door as they watched. Deane even dubbed himself "the morning mayor." He was one of the first to showcase rock and roll music on a continual basis. Every day Id come to the studio in knee-highs, and Id have to take them off. Associated Press text, photo, graphic, audio and/or video material shall not be published, broadcast, rewritten for broadcast or publication or redistributed directly or indirectly in any medium. The Buddy Deane.phenomenon is hardly dead. Deane organized and disc-jockeyed dances in public venues across the WJZ-TV broadcast area, including much of central Maryland, Delaware, and southern Pennsylvania where tens of thousands of teenagers were exposed to live recording artists and TV personalities. Racism is passed down from one generation to the next. Not one of the Committee members, the ones chosen to be on the show every daythe Baltimore version of the Mouseketeers, the nicest kids in town, as they were billed. Buddy offered to have three or even four days a week all black, but that wasnt it. Buddy: Deane in the 50s when she worked for a record wholesaler and he was the top-rated disc jockey on WITHthe only DJ in town who played rock n roll for the kids. Thats what really happened, and the show shut down.. I had to get up there on time. He was mad because I was as popular as he was. It was a fluke. After the screening, he was joined by Michael Musto and original cast membersLeslie Ann Powers (Penny Pingleton), JoAnn Havrilla (Prudence Pingleton), and Holter Graham (I.Q. Both entities launche. Bill Haley and the Comets did their premier perf of "Rock Around the Clock" on Deane's show, and Deane was named the No. I wonder if that applied to Black males as well as White males. The show designated every other friday to their black dancers, similar to "Negro Day" on the Corny Collins Show. Many parents and local officials were angry. http://pancocojams.blogspot.com/2016/03/how-madison-line-dance-got-its-name-and.html, http://pancocojams.blogspot.com/2016/03/al-brown-and-ray-bryant-madison-records.html, https://en.wikipedia.org/wiki/Buddy_Deane_Show, https://en.wikipedia.org/wiki/Hairspray_(2007_film), http://pancocojams.blogspot.com/2015/06/timeline-for-cultural-use-of-saying.html, https://www.washingtonpost.com/entertainment/tv/on-hairsprays-25th-anniversary-buddydeane-committee-looks-back/2013/01/17/a45a1cc2-5c23-11e2-88d0-c4cf65c3ad15_story.html, http://theurbandaily.com/2011/06/01/black-music-moment-96-short-lived-integration-of-the-buddy-deane-show/. On Jan. 4, 1964, nearly five months after the first -- and only -- day that black and white kids danced cheek to cheek on TV in WJZ's studios, Buddy Deane put "The Party's Over" on the record player. Mary Lou, the Annette Funicello of the show, was the talk of teenage Baltimore. and later on, growing up, it was a definite blow: reality. I still have a whole box of fan mail, says Evanne. Participants dressed in "country" style, and danced to country and western music as well as pop. All on Pulaski Highway. The regulars . The film would spawn a 2002 Broadway musical adaptation starring Harvey Fierstein and Marissa Jaret Winokur, and a 2007 film adaptation of the musical starring John Travolta and Nikki Blonsky. They kept their figures, look nice, and are very kind people, says Marie in her lovely home on Falls Road before taking off for the University of Maryland, where she attends law school. This document may not be reprinted without the express written permission of Northwest Arkansas Newspapers LLC. Buddy Deane was the host of a Baltimore dance show that ran on TV from 1957 to 1964 six days a week. The films executive producer Craig Zadan argued that what makes Hairspray work is, you never feel like were on a soap box, or were preaching to you, or were saying this is a lesson you need to learn and yet, hopefully, you come away from it with something serious to talk about afterwards. There is no guarantee that viewers will take up these discussions, but Hairspray offers plenty of material for those who choose to do so. August 8, 2022 at 3:55 a.m. As Marie puts it, The rewards were so great emotionally that you didnt have to ask for a monetary award., Many had difficulties dealing with the void when the show went off the air. (There was a token all-black program once a month on the show called "Negro Day" in the movie, a phrase that now drips with surreal period flavor but no black Committee, and the protests called for integrating the show.) Pancocojams showcases the music, dances, language practices, & customs of African Americans and of other people of Black descent throughout the world. Before long I started getting lots of fan mail: I think youre neat. Although the show has been off the air for more than twenty years, a nearly fanatical cult of fans has managed to keep the memory alive. I was really mad. The early look of the Committee was typically 50s. Why not do The Deane Show on TV again? Mr. In Little Rock, white teens went from protesting integration at Central High School to dancing in the afternoon on Steves Show. He got a great review in The New York Times. The Buddy Deane Show was a teen dance television show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane (1924-2003), and aired on WJZ-TV (Channel 13), the ABC affiliate station in Baltimore from 1957 until 1964. I graduated from an HBCU, lived through racism, marched on Washington with Martin Luther King, and was active in fighting injustices in Baltimore County at the height of the Civil Rights Movement. Buddy noticed my eyes staring and said, Do the same eyes. And the camera got it. Kathy went even further. Everywhere we went, people would say Theres Mary Lou. I wondered if she had just been released from the penitentiary.. And none are bitter. It was hilarious., Some of the rumors were fanned on purpose. I had always studied dance, and I wanted to go on [the show]. Integration ended The Buddy Deane Show. . It was maddening: the Mashed Potatoes, the Stroll, the Pony, the Waddle, the Locomotion, the Bug, the Handjive, the New Continental, and, most important, the Madison, a complicated line dance that started here and later swept the country. Baltimore teenagers rushed home to catch the show daily to listen to the popular music, watch their favorite dancers, copy their style and learn the new dances that were introduced almost every week. With the nation in a divisive place, he argued, viewers are looking for entertainment that can be really healing. The New York Times critic Michiko Kakutani saw a similar dynamic at play when Hairspray, the musical, debuting shortly after 9/11, won over fans: Hollywood and Broadway producers have decided [what] Americans want is nostalgiathe logic being that people in times of trouble will gravitate toward comfort entertainment that reminds them of simpler, happier times [such as] the candy-colored Broadway musical Hairspray., Hairsprays history of race in America suggests that racism is an issue of attitudes rather than of policies. No matter how progressive we become, there will always be those who will still hang on to the tradition of hate. Unlike the tensions that followed the real integration of the Buddy Deane Show, Waterss Hairspray ends with the protesters triumphing. Voters approve of . Last spring, five hundred people quickly snapped up the $23 tickets to the third Buddy Deane Reunion, held at the Eastwind, in Essex, to raise money for the Baltimore Burn Center. (Special to The Commercial/OzNet.com/ExplorePineBluff.com). Oh, my God, its Evanne! Autograph books, cameras, this is what they lived for. The Nicest Kids in Town! On the one hand, the storys feel-good conclusion implies that colorblindness is the silver bullet that ends racial discrimination, that good intentions and individual acts of bravery are enough to bring about harmony. If a guy had one beer, it was a big deal. The Buddy Dean Show was the inspiration for the "Corny Collins Show" in the 2007 musical. And because a new dance was introduced practically every week, you had to watch every day to keep up. Ninfa O. Barnard wrote this article for explorepinebluff.com. The inspiration for this movie was born out of an afternoon teen dance show, The Buddy Deane Show, which aired on Baltimore's WJZ-TV from 1957-1964 until it was taken off the air because the owner did not want to integrate. Buddy Deane, a native of Pine Bluff, was one of the first radio hosts to understand the appeal of Rock n Roll in its infancy, the host of a popular 60s teen dance show, the inspiration for a film and musical character in Hairspray, and so much more. WJZ's show aired from 1957 to 1964 and was popular among Baltimore teens, promoting dances like the twist, mashed potato, and the Madison. Many parents and local officials were angry. While he wasnt on the committee, Waters occasionally danced on the show as a guest. Hairspray is the gift that never stops giving, Waters told an adoring crowd at New Yorks IFC Center this past weekend, the theater where Hairspray first opened thirty years ago. Deane died in Pine Bluff on July 16, 2003, after experiencing complications caused by a stroke. The Department of Education even withdrew its support of the show, and the show had to be filmed in the parking lot at times because of the threats they received. WJZ's show aired from 1957 to 1964 and was popular among Baltimore teens, promoting dances like the twist, mashed potato, and the Madison. 'The Buddy Deane Show' was over . I even named some of the characters in my films after them. Im Joe, too. There was a change in the works., Part of that change was the racial integration movement. Every weekday afternoon, in each of these broadcast markets, these shows presented images of exclusively white dancers and rendered black youth as second-class teenagers. It was similar to Philadelphia's American Bandstand. He eventually became one of the most respected programmers in the country and was even written up in Time magazine. 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